By Peter Cope
A pragmatic, obtainable consultant to turning your reliable photos into nice ones no matter if you're taking pictures at the most modern electronic SLR or a digital camera phone!
• realize a hundred easy and enjoyable how you can increase your photos either in-camera and during post-processing snapshot manipulation.
• each key photographic style is roofed, from excellent graphics and the good outdoor, to go back and forth pictures and taking pictures at night.
• choked with inspirational examples of significant pictures in comparison opposed to the extra common photos, with effortless to persist with ideas for a way you could in attaining an analogous results.
Whether you're an aspirational novice eager to make your images even higher, or an enthusiastic newbie who simply desires to produce extra gratifying effects, 100 how you can Make sturdy images Great gives you helpful specialist tips and methods to take your images to the following point.
Read Online or Download 100 Ways to Make Good Photos Great: Tips & Techniques for Improving Your Digital Photography PDF
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Additional info for 100 Ways to Make Good Photos Great: Tips & Techniques for Improving Your Digital Photography
You’ll never get better at this if you’re not willing to make mistakes. I’ve failed miserably many times, but for every hundred mistakes I get one killer image, and it doesn’t always play by the rules! 29). Start by focusing on one rule or suggestion at a time and have a little fun. ISO 400 1/320 sec. 28 I’ve been known to occasionally split an image in half at the horizon line. Don’t let the rules of photography stop you from following your own vision. chapter 2: coMposition and light 51 ISO 250 1/125 sec.
24). 24 ISO 200 1/100 sec. 2 200mm lens I was able to freeze motion at 1/100 second as the subject was moving away from me. Keep in mind, when a subject is moving toward or away from you it typically doesn’t require as fast a shutter speed as a subject passing directly across your field of vision. To visualize this example, think of a car that is traveling toward you or away from you versus a car that is passing from left to right directly in front of you. chapter 2: coMposition and light 47 Another time I like to freeze motion is when I’m trying to convey an action-versusreaction story.
Even though McCurry is world renowned for his color work, his comment carries over into black-and-white photography as well. The point he was making is that there is always good light available, or at least decent light, but it’s about knowing where to look for it and not settling for anything less. Capturing good-quality light and controlling it to create a strong image requires understanding the role light plays in a black-and-white world. Light is instrumental in creating highlights and shadows (contrast), which allows us to identify forms, shapes, lines, and texture.