By Martin J. Powers, Katherine R. Tsiang
Exploring the background of paintings in China from its earliest incarnations to the current day, this entire quantity contains dozen newly-commissioned essays spanning the theories, genres, and media vital to chinese language artwork and conception all through its history.
- Provides an excellent choice of essays selling a comparative realizing of China’s lengthy list of cultural production
- Brings jointly a world staff of students from East and West, whose contributions variety from an outline of pre-modern idea, to these exploring calligraphy, superb portray, sculpture, components, and more
- Articulates the course within which the sphere of chinese language paintings historical past is relocating, in addition to delivering a roadmap for historians drawn to comparative research or theory
- Proposes new and revisionist interpretations of the literati culture, which has lengthy been a massive staple of chinese language artwork history
- Offers a wealthy perception into China’s social and political associations, non secular and cultural practices, and highbrow traditions, along chinese language paintings heritage, idea, and criticism
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Additional resources for A Companion to Chinese Art
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