Reflecting the dynamic creativity of its topic, this definitive consultant spans the evolution, aesthetics, and perform of today's electronic artwork, combining clean, rising views with the nuanced insights of major theorists.
• Showcases the serious and theoretical techniques during this fast-moving self-discipline
• Explores the heritage and evolution of electronic artwork; its aesthetics and politics; in addition to its frequently turbulent relationships with tested associations
• presents a platform for the main influential voices shaping the present discourse surrounding electronic artwork, combining clean, rising views with the nuanced insights of best theorists
• Tackles electronic art's basic useful demanding situations - tips to current, rfile, and guard items which may be erased eternally by way of swiftly accelerating technological obsolescence
Up-to-date, forward-looking, and severely reflective, this authoritative new assortment is knowledgeable all through through a deep appreciation of the technical intricacies of electronic paintings
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Extra info for A Companion to Digital Art (Blackwell Companions to Art History, Volume 9)
In the final chapter of this book, Beryl Graham both continues the discussion of documentation and picks up on Rudolf Frieling’s exploration of the histories of the display of artworks over time. Graham proposes that the histories of exhibitions are of particular importance to new media art. She argues that it is not only the installation‐ based and interactive nature of much of new media art that makes these exhibition histories crucial but that the interconnected threads between art practice, criticism, collection, exhibition, and future historicization can be easily broken.
Com/2012/events/event_IAP11102 (accessed September 24, 2015). References Bishop, Claire. 2004. ” October 110: 51–79. Bourriaud, Nicolas. 2002. Relational Aesthetics. Dijon: Les presses du réel. Bourriaud, Nicolas. 2006. ” In Claire Bishop, Participation. Cambridge, MA: Whitechapel Gallery, The MIT Press. Bridle, James. 2011. ” Date accessed January 5, 2015. com/ (accessed September 24, 2015). Burnham, Jack. 1968a. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century.
2011. ” Date accessed January 5, 2015. com/ (accessed September 24, 2015). Burnham, Jack. 1968a. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: George Braziller. Burnham, Jack. 1968b. ” Artforum. Burnham, Jack. 1969. ” Artforum. ◼◼◼ Introduction 19 Giannetti, Claudia. 2014. Ästhetik des Digitalen: Ein intermediärer Beitrag zu Wissenschaft, Medien‐ und Kunstsystem. Vienna, New York: Springer. Gere, Charlie. 2008. ” In New Media in the White Cube and Beyond, edited by Christiane Paul.