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By Jane Campbell Hutchison

Hutchison's booklet is an entire advisor on Durer and the study on his paintings, his historic import and his aesthetic legacy.

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16. ——. Albrecht Dürer. Das Malerische Werk, 2, revised ed. 2 vols. Berlin: Deutscher Verlag für Kunstwissenschaft, 1991. Replaces the 1971 one-volume edition (long out of print) as the new standard catalogue of Dürer’s paintings. Completely revised and updated by the author, the retired director of the Berlin print room (1977–1984), who also taught at the Free University. Takes into consideration the new scholarship produced since 1971. Volume 1 is text; Volume 2 illustrates in color each of the surviving paintings accepted by the author as autograph works, in some cases accompanied by black-and-white details.

9. ” Rembrandt en zijn Voorbeelden, Text Ben Broos. 1986. 24 ALBRECHT DÜRER: A GUIDE TO RESEARCH Catalogue of the exhibition “Rembrandt and his Sources,” held at the Rembrandt House from November 2, 1985–January 5, 1986, comprising sixtyeight objects. Prints and drawings by Rembrandt were paired with the prints from which he drew his inspiration, including works by Dürer. Catalogue entries with commentaries and illustrations of all exhibited works. 10. Amt für Schrifttumspflege (Reichsstelle zur Förderung des deutschen Schrifttums).

725–734). Selected bibliography, concordance, detailed index in vol. 2. [Reviewed by Gisela Goldberg in Pantheon 32 (Oct. 1974), 430– 432; John Rowlands in Burlington Magazine 116 (Aug. 1974), 491–495; Peter Strieder in Kunstchronik 28, no. 5 (May 1975), 165–171]. 54. Bashir-Hecht, Herma. Der Mensch als Pilger. Albrecht Dürer und die Esoterik der Akademien seiner Zeit, Stuttgart: Urachhaus, [1985]. Deals primarily with Dürer’s woodcut Gerson as Pilgrim (1494), used as the title page for Wimpfeling’s edition (Strassburg, 1502) of the works of Jean Gerson (1363–1429), the former Chancellor of the University of Paris.

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